Building a Master Cane: Adding the Second Section

Section 1. In the previous post I constructed section 1. Here is another look at the plan and section 1 as I constructed it.

sections 1 and 2 markedSection 1 as constructed

 

 

 

 

 

 

 

 

 

If you compare the two pictures you can see that I generally followed the plan in regard to the component canes I used, but their shapes and dimensions turned out to be quite different in the cane. This is always the case for me. Entire component canes behave differently than slices off the tops.

Section 2.cane section 2 major changes b-sm  My construction of section 2 is shown on the right. You can see there are several areas where I diverged from the plan (above). I made the changes because when I started to assemble section 2 I placed it next to section 1 to see how the two sections would relate and found the energy I had hoped to create just wasn’t there.

The canes I was adding were too simply close in color and value to the canes that were already there to produce the contrast I wanted. I decided to use the purple striped cane to separate the two sections. Because of its high contrast in values and it’s eye-catching striped pattern it enlivened the transition. I also replaced the three mid-value canes in the lower left corner with a single cane. The “California poppy” cane’s sharply contrasting yellow and red-orange color and its simple design added another energetic element to the design. The cane section was essentially “bookended” by strong elements. A third strong element (the dark orange flower) topped off this section of the cane.

Slices of Skinner Blend RectanglesTo provide added separation between the patterned elements I increased the number of Skinner blended slices in the cane. These slices are from blocks made by rolling Skinner Blends into long strips then cutting the strips into rectangles and stacking the rectangles from light to dark to form shaded blocks of clay. The blocks were elongated to 3 inches, the height of the other components, then sliced into thin slices.

A note about color in the cane: I used only primary colors, a bit of black, and lots of white in the cane. The secondary colors (orange, green and purple) and all the others were mixed; they were not packaged colors. In addition, all of the colors I used were “toned down” slightly from their rainbow equivalents. I added a tiny bit of the complement to tone down the hue and white to enhance the value gradation in my blends.

Construction Technique

The more you work with a cane, the more opportunity there is for it to become distorted or pick up flecks of clay from the surrounding area; therefore I set section 1 aside and began section 2. I wanted to start with the purple striped cane but without section 1 there was nothing to support it. I solved this problem by using a glass jar to support the cane and maintain the curve while I worked.

subsection I often find it is easier to combine individual subcomponents before adding them to the main cane. The flower on the left was constructed as a single component cane early on. Before I added it to section 2, however, I attached the fuchsia blend and the “grass leaf ” cane. Adding these parts before attaching the flower cane allowed me to press them firmly against the flower cane without having to worry about distorting the purple striped cane. Following the same strategy I placed the purple-to-white blends on the two sides of the upper leaf cane (7) before adding it to section 2.

cane section 2 order added-smI worked outward (to the left) from the purple striped cane supported on the jar. As was the case with section 1, all of the curved elements were curved by pressing them against a glass or rod before adding them to the cane.

 

A couple of words of caution…

  1. The clay I use (Premo) is often soft enough that one piece touching another can become stuck and impossible to remove without damaging one cane or the other. This is the case even though I leach nearly all of my Premo clay before I cane with it. When I have to place two pieces together to check a fit I dust them thoroughly with corn starch first so I will be able to separate them easily. When I come to the point where I want them to adhere to each other I rub them with a little clay softener to eliminate the effect of the cornstarch.
  2. Every time you add a new component to a master cane I suggest you check to see that the cane extends all the way to the bottom of the master cane and will fit against it for its entire length before you press it into place. If you only look at the top you are likely to end up with gaps and missing sections of cane at the bottom.
This entry was posted in Caning, Classes/Workshops, Color, Kaleidoscopes, Premo Clay, Technique, Uncategorized, Understanding. Bookmark the permalink.

15 Responses to Building a Master Cane: Adding the Second Section

  1. Melinda Hayes says:

    Love your canes. Wish we could get you to come to CT.

    • Carol Simmons says:

      Thanks Melinda. If there is a guild nearby all I need is an invitation.

      • Tiffany D Haynie says:

        How do I find out if there is a guild in my area? (Which happens to be Louisville, Ky., if you know of one 🙂 )

        Tiffany

        • Carol Simmons says:

          There is one. The Kentucky/Tennessee Area Polymer Clay Guild serves Kentucky and Middle and Western Tennessee. Our goals are to share and promote the use of polymer clay as an art and craft material. Our meetings are held monthly and currently rotate among several KY and TN locations. We normally chat, eat, share show and tell, and then proceed to participate in a technique or project-driven demonstration. Often we just experiment with a new technique. We are always looking for new members, so please join us if you are ever in the area! grandcats516@yahoo.com

  2. Thank you so much for your generous sharing! Beautiful!!

  3. Priscilla says:

    So much detail, I might not need to take any additional notes in Racine 🙂 It’s amazing to be able to read about your process at my leisure and to refer back to your notes in future!

  4. Donna Ingram says:

    I am enjoying and soaking this in so much

    Thanks for sharing,
    Donna

  5. tracy callahan says:

    Carol, your gorgeous cane has inspired me so. Thats all i use to do and then in 2004 3 pieces of sculpture were choosen in 2004 progress and possiblies, and i think i stared off the path of what my passion really was, and thats making canes and doing masks. I must sayand i actually am excited again and c’t wait to get the right clay now in to cane with. So thankful i saw your wonderful post and now will be following your great advice. Thanks Tracy

  6. Carol, I was so pleased to read that you use Premo for your canework. Premo is my preferred polymer clay to work with. I would like to do some more detailed canework and was thinking that I would have to buy another brand for this. Can you tell me how long you leach the Premo for and do you roll it out in sheets to leach or just do it with the whole block straight from the package?

    • Carol Simmons says:

      Hello Claire,
      It took me awhile to get used to Premo for caning but now I love it. Since I buy my clay on-line it is always fresh so 99% of the time I have to leach it. I leach it before I need it and store it in sheets on plastic sheet protectors until I want to use it. Since I only use primary colors plus white and mix everything else it isn’t difficult to maintain a stashed of leached clay. I roll it out very thin (3rd or 2nd to thinnest setting on the pasta machine) and place it between sheets of paper with several books on top of the stack. (Newsprint works best.) I check it after a couple of hours. If I don’t think it has leached enough I run it through the pasta machine a few times and leach it again. After that it is usually ready. The thinner the sheet – the closer you have to watch it. I will send you an information sheet with more details I give my students. Good luck.

      • Tiffany D Haynie says:

        I would be interested in this leaching information, as well! I’ll also have to research it as it pertains to other clays!

        Thanks, Carol!

  7. This is my first time pay a visit at here and i am actually happy to read everthing at alone place.

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